Italian tenor Terranova’s onstage persona was affable; he moved like a dancer and could pull off subtle moments of comedy unexpectedly. Terranova’s highly placed, ringing voice blossomed on the high C at the end of his aria and he was able to impressively taper the high C of the duet with Mimì.
http://www.operanews.com/Opera_News_Magazine/2016/1/Reviews/ATLANTA__La_Boh%C3%A8me.html